The University of Salford was the third show on the first day of Graduate Fashion Week, and set itself apart from the rest from the very beginning with a strong and passionate manifesto about feeling alive in an age of the internet and materialism. I can only assume the intention behind this speech was to encourage the audience to view this show from a different perspective to which they'd viewed the others. It seemed that the students had taken the manifesto on-board themselves, with experimentation and contemporary twists featuring strongly in the show. So here are just a few of my favourites:
A classy revamp of the velvet tracksuit, Caroline Corby works a nude palette with splashes of fluorescent yellow onto basketball jerseys, velvet tracksuits and peek-a-boo bodysuits. The odd appearance of sheer fabric brings a holiday vibe to the collection.
A playful collection of holographics, metallics, sequins and tassels created a visual treat. Focusing on contrasts, this collection featured two main showdowns: the metallic versus the matte, and the boxy versus the ballooned. The strong presence of loose fitting garments teamed with huge flatform trainers brought hard urban vibes to a rather feminine colour palette.
Restricted 90s silhouettes in gold and black foil made for a strikingly sleek and elegant collection reminiscent of Kate Moss.
This collection could very easily have been taken from the wardrobe of Tilda Swinton when she played the White Witch. Crisp whites in the form of crochet, embroidery anglaise, sheer leggings, skinny jeans and long haired fur skirts created a textural wonderland and brought a contemporary twist to the traditional fairy-tale look. The sharp wire crowns and the giant flatform trainers worked to create a tall, thin silhouette.
This was a simplistic, bohemian collection featuring lightweight materials in the form of unstructured, minimalist garments reminiscent of Amish attire. Colours of white, blue and grey made for an ethereal palette.
An austere collection with attitude. Strict lines contrasted with sheer flowing fabrics in the forms of maxi skirts and capes whilst austere pleats and hints of underwear as outerwear added a feminine edge.
Gold foil, black sequins and bat wings teamed with 3D florals created an impish, mystical collection.
A collection of elegant and urban streetwear featuring a monochrome palette in the form of maxi dresses and jackets. Sheer panels and baseball caps contributed an urban an sporty edge.
Stealing the entire show, Iqra Rashid's collection featured a modernist twist on the traditional Arabic niqab headscarf. Tented silhouettes and concealed faces featured lively patterns in reds, blues, creams and blacks. The bright red tights worn over shoes were the finishing touch to a collection packed full of the contemporary.
Refreshing would be the perfect word to describe this collection. Unusual silhouettes were constructed out of sharp, angular lines whilst crisp whites and aqua blues were paired in a variety of ways. The gingham check skirt was one of my favourites.